Sea of Time, 2017
A search for a sense of reality, but even more how to deal with.
In a time of great confusion, what's left of the things around you? Are things there just to react on, or is there a you that can also make or choose what's it like out there?
Moorhen Boulevard, 2017
A boulevard placed in the castle moat at Ringenberg. In the moat there are several families of moorhens.
They were living there; eating sleeping, swimming...
Now there is an extra activity of leisure; gloating and parading on their own boulevard.
So far I've only seen a frog using it...
I'm There, 2017
(left over piece)
Till what extend do you trust yourself?
We Paint Tunnel, 2018
At night me and some friends painted a tunnel on a remote place for the work Blank Canvas.
Could you get attached to a Box?, 2018
Untitled 0417, 2017
When an intervention, like Between Object and Intervention, removes living space from some other thing in a destructive way it is being a bitch. It has to work in an other way to make a constructive relation.
Between Object and Intervention is brutally cut in the middle with an axe, giving space to the space behind it.
The studio I worked in for the longest never had a sketch of it's own...
It's about time that it is recognized as a nice place to work in.
Blank Canvas, 2018
On a remote place, near an industrial area, there's a tunnel decorated with old graffitis.
No recent graffitis were added to the pillars. Until now, when half of the pillars were painted with a layer that acts both as a graffiti itself and as a blank canvas for new images.
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